Month: November 2020

This was a great panel and one of the more useful ones for me. The panel was moderated by Veronica Roth who is most famous for her Divergent series, Jennifer L Armentrout, who is famous for her Lux Series along with many other paranormal romances. Traci Chee, who is famous for her The Reader series. Somaiya Daud who is famous for her Mirage series. Jordan Ifueko who is famous for her breakout hit Raybearer and Samantha Shannon who is famous for her The Bone Season series.

When asked how much research they do Traci Chee noted she did the least work possible for her fantasy books such as the Reader. But that she was more detailed and exact with her books like We are Not Free, because she was dealing with real people’s lives and experiences.

Jordan Ifueko said she started with myths and lore because that informs who a culture is. She notes that she starts with mythology she finds it easier to find out how characters would react once you know what they believe.

Somaiya Daud, says she likes to get into the weeds of history on Scrivener, she says she likes to save her worldbuilding knowing she isn’t going to use it in the story. She pointed out she had a two thousand year time line where only two events appear in the story and that she’s big on historiography. She said she had an inner Toliken in her head.

Jordan Ifueko talked about how Raybearer was coded as real world cultures, but where the power struggles didn’t come from issues of European colonization like they did in the ‘real’ world.

Somaiya Doud also talked about how she based a lot of her stuff is how folktales are told in Morocco. vs how North African women actually are. She talked about having familiar cultural markers then making up stuff around it so people from that culture see the familiar marker in story. Doud also talked about adding information the same way Dragon Age does via like a codex system.

The whole panel agreed that the one religion fantasy trope was unbelievable. Because the one thing people fight about in the real world more than anything is religion. So it would totally happen in a fantasy world.

Image by ejaugsburg from Pixabay

This panel was great moderated by Marie Lu most famous for her LEGEND series with Kalynn Bayron, who is famous for her book Cinderella is Dead. Z Brewer who is famous for their newest book Into the Real, Jay Kristoff who is know for many projects such as the The Illuminae Files he worked on with Amie Kaufman, finally Adam Sass we had famous for Surrender Your Sons.

Marie Lu asked about what they were currently working on,

Z Brewer is apparently doing some video game type stuff at the moment which sounded super interesting.

Adam Sass is working on a rom-com and a story on teen fugitives.

Kalynn Bayron is working on an MG paranormal project.

They all agreed that dark stories were a good place to work through your own issues or larger issues like the patriarchy.

They had some thoughts on how to build a villain. The panel noted that you should be able to see the story from the villain point of view. Think about villainy itself, why are women always the villains. Also think about morally grey characters. Are there villains’ who are being evil for evil’s sake?

Heros in dark stories deserve agency and demand to be respected, survival in a dark story is not enough.

Z Brewer or Adam Sass said queer people often process trauma through humor which I thought was just an interesting note from the panel.

When writing dark stories you need to remind yourself your characters will have some kick ass scenes beating the villains’ at the end even if they are in a dark place at the moment.

Z Brewer also noted that self care during/after writing the book was important.

Kalynn Bayron pointed out the importance of thearpy.

Finally when asked about the MG/YA line for dark stories, the authors agreed that for MG it can’t feel as personal, there needs to be some sort of shield mechanism either through point of view or the way the story is framed. They all agreed that MG can have the same themes just make them more I hate to say softer but assessable.

Image by LUM3N from Pixabay

Moderated again by the wonderful Brendan Reichs. This panel was filled with some big names such as Stephanie Garber who is most famous for her Caraval series. Marie Lu who is famous for her LEGEND series, though I’m currently enjoying her Skyhunter series as well. There was Tochi Onyebuchi is famous for his War Girls duology. Finally we had Garth Nix, a fantasy name whose been working for years and basically has too much work to pick from, but is probably most famous for things like Sabriel.

The panelists were talking about how subconsciously they will know its series even if they don’t know consciously yet.

Onyebuchi talked about how if he still had really cool content that didn’t fit into book one that meant that there needed to be a book two.

Reichs asked them how they kept track of details.

Garber said she kept notes.

Onyebuchi praised the features of Scrivener when when writing characters and linking all character details

And Marie Lu pointed out she never reread her old stuff, which became an issue sometimes when she was writing books related to her universe she created. She also asked the others if they ever had a character who just wouldn’t go away, she pointed out Thomas from Legend as one who was supposed to be a throwaway character.

Garber talked about a character she wrote for book to for the Caraval series who ended up taking over the book, and how she ended up having to pull back and make him a minor character.

Garber asked the other panelists if they ever cheated with their work, ie. brought someone back who should by their universes rules be dead, mess with details a bit?

Lu said she tried to keep it solid eariler in the series but felt like it was okay to mess with it later in the series.

Onyebuchi compared it to Marvel ret-con and didn’t see a problem with it.

Someone I don’t remember who, said to avoid the sagging middle you beat the characters up in the middle.

Lu also said readers expect different things from different books in the series, with the first book, they want a fun fast read, with the 2nd they want more of the characters and more emotional arcs, and with the 3rd they wand a resolution.

Reichs asked about how do you deal with the fanbase hating your ending, the consensus was that you can only make yourself happy. You can’t make all your fans happy no matter what you write and that you can only hate something that you love.

Finally some last advice on writing a series was to put breadcrumbs you can follow if you want to revisit the book, nothing huge the fans would see but enough you can pick up on and link another book off of. Marie Lu also suggested something called an ID pass where you put as many of your favorite tropes that make you happy in the book and do a pass looking to see where you can fit those. The main idea of the panel seemed to be put everything you love into the book or books that you are writing.